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Edition Villa Concordia Rumänische Klaviermusik
Daniel Goiti · piano
First
recordings! |
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| about this recording: Gheorge Enescu appears – surrounded by younger
collegs – as a composer who did not need to be pinned down to a
recognizable style, as a composer who sixty years before the post-modern
already invented it. His Piano
Suites are sounding evidence for this. Enescu is a refreshingly
contradictory composer: a classical avantgardist, who with astounding
solutions time and again rewrites the patterns of classical music, and
astonishes with radical solutions. For through solidary empathy Daniel
Goiti sets free the emotional contents hidden in the written music by
Romanian composers – with a precise, sometimes even cutting exactness
and a pianistic technique that is not only brilliant, but that developed
in a miraculous manner far away from any fashionable trends. And in this
way he also becomes an ambassador for delicate missions. As translator
of a music that is easier to misunderstand. |
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George Enescu
Toccata, Sarabande (from 2nd Suite in D major op. 10, 1903) Mélodie, Burlesque, Carillon nocturne (from 3rd
Suite op. 18, 1913-16) Marţian Negrea
Nocturne in E flat major (from: Three Romanian Sketches, 1936) Sigismund
Toduţă
Passacaglia (1943) Dan Dediu
Prelude – Jakob’s Ladder (from: Lévantiques, Twelve Pieces for Piano
op. 64, 1999) Les Baricades Mistérieuses – Reloaded (Hommage
à Couperin) op. 109,5 Paul Constantinescu
Dance from the Dobroutscha –Toccata (from: Three piano pieces 1951) |
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Marţian Negrea
1
Nocturne in E flat major Sigismund Toduţă
2
Passacaglia George Enescu
3
Toccata, 4
Sarabande 5
Mélodie, 6
Burlesque, 7
Carillon nocturne Dan Dediu
8
Prelude – Jakob’s Ladder 9
Les Baricades Mistérieuses – Reloaded (Hommage à Couperin) Paul
Constantinescu
10 Dance from the Dobroutscha –Toccata |
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