J.H.Schmelzer,
Sonatae Unarum Fidium
Trio Florilegium
Veronika Strehlke, baroque violin
Gerhart Darmstadt, baroque violoncello
Egino Klepper, cembalo
sound samples
reviews
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order no. CCD 217
EAN 4028183002174
about this recording:
Johann Heinrich Schmelzer, like Heinrich Ignaz Franz Biber, numbers among the great personalities of the "Viennese violin school" of the 17th century. The six Sonatas for violin and basso continuo, published in 1664, form a cycle in which Schmelzer exploited and expanded many of the techniques and possibilities new at that time. With this CD, the picture of early violin music will therefore be illuminated from yet another angle, especially since this cycle has until now been represented in the discography only by recordings of individual sonatas.
Johann Heinrich Schmelzer, like Heinrich Ignaz Franz Biber, numbers among the great personalities of the "Viennese violin school" of the 17th century. The six Sonatas for violin and basso continuo, published in 1664, form a cycle in which Schmelzer exploited and expanded many of the techniques and possibilities new at that time. With this CD, the picture of early violin music will therefore be illuminated from yet another angle, especially since this cycle has until now been represented in the discography only by recordings of individual sonatas.
Schmelzer, Sonata prima - Sonata Nr. 100 - Anonymus, Contrapunct
Johann Heinrich Schmelzer (um 1621 - 1680): Sonatæ unarum fidium für Violine und basso continuo, Sonata prima C-Dur, Sonata seconda F-Dur, Sonata terza g-Moll, Sonata quarta D-Dur, Sonata quinta c-Moll, Sonata sexta A-Dur
Aus dem Manuskript 726 des Wiener Minoritenkonvents, um 1690:
Sonata Nr. 100 D-Dur (J. H. Schmelzer)
Anonymus: Contrapunct sopra la Baßigaglos d’Altro (Variationen at Wie schön leuchtet der Morgenstern)
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