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L’Armonica – music with glass armonica
Concilium musicum Wien
auf Originalinstrumenten
Ursula Fiedler, soprano · Sascha Reckert & Philippe
Marguerre, glass armonica conductor and harpsichord: Paul Angerer
(live recording of the concert at the Allerheiligen-Hofkirche in Munich from May 21. 2005) |
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| about this recording: The glass
harmonica was invented by Benjamin Franklin in 1761/62, who had
attended a concert by a glass player in London. These instruments,
called “Musical Glasses”, were very fashionable at that time.
Franklin was fascinated by the sound and being a physicist and inventor,
he wanted to improve the instruments, by putting the glasses, which
produced the tones, closer together. He also wanted them to rotate in
order to make the playing easier. Therefore he created hemispherical
glass bowls with a small centre piece, which were installed on an axis.
The glass bowls decreased in size, so that they would fit into each
other. A cork was placed between the glass and the axis; the rotation
came from a pedal and a flywheel. Franklin gave this instrument to the Davis sisters. Cecilia, who was a celebrated singer in Europe, and Marianne, brought the glass harmonica to Vienna, where they were invited by Johann Adolph Hasse. On the occasion of the wedding of archduchess Maria Amalia with Ferdinand, archduke of Parma, Hasse composed “L' Armonica” in 1769. This piece requires not only a huge register of tones – down to low c – but also great virtuosity. It is astonishing, that only Wolfgang Amadé Mozart’s composition for glass harmonica, flute, oboe, viola and violoncello (1791) demands a similar virtuosity for the instrumentalist. Both compositions are superior in their quality to other works for the glass harmonica and mark beginning and end of the heyday of this instrument. |
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Karl
Leopold Röllig (1754-1804): 1 Rondeau A major for glass armonica and
strings Johann
Adolph Hasse (1699-1783) „L’Armonica“, cantata for soprano,
glass armonica and orchestra Wolfgang
Amadé Mozart (1756-1791): Adagio and Rondeau for glass armonica,
flute, oboe, viol and violoncello KV 617 (Sascha Reckert & Philippe
Marguerre, glass armonica · Anni Laflamme, flûte traversiére · Andreas
Helm, oboe · Chr. Angerer,
viol · Günter Schagerl, violoncello) Wolfgang
Amadé Mozart: aria of Arminda from „La finta giardiniera“, KV 196 Joseph Haydn (1732-1809): symphony C major Nr. 48 „Maria Theresia“ Hob. I:48 |
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sound samples (mp3): Johann
Adolph Hasse (1699-1783) „L’Armonica“, cantata for soprano,
glass armonica and orchestra 2
Introduzione, 3
Aria, 4
Recitativo, 5
Aria Wolfgang
Amadé Mozart: 6
Adagio and Rondeau for glass armonica, flute, oboe, viol and violoncello
KV 617 Wolfgang
Amadé Mozart: 7
aria of Arminda from „La finta giardiniera“, KV 196 Joseph
Haydn: symphony C major Nr. 48 „Maria Theresia“ Hob.
I:48 8 Allegro, 9 Adagio, 10 Menuetto. Allegretto, 11 Finale. Allegro |
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